Harvey & Bob Weinstein, Andy Samberg, Kenan Thompson and Kristin Chenoweth’s ‘Space Chimps’: Embedding Chinada’s Militarized Human Experimentation
Involving Hypnosis in Coalition Diplomacy:
The Lab Monkey Metaphor
© 2009 Brad Kempo B.A. LL.B.
Barrister & Solicitor
The July 2008 released CGI film is all about high profiling what happened to the Custodian Chief Executive at the hands of China and Canada’s political and corporate leaders in their seeking to achieve mastery over consciousness through hypnosis. By the time it hit the movie theatres, there’d already been 2 1/2 years of full-court-press diplomacy condemning this Article 7 violating program and a global coalition-building initiative seeking in conjunction with halting Chinada's global hegemony initiative to prevent the proliferation of this Pandora's Box in the early 21st century in the same way nuclear weapons were in the 20th century.
The Weinstein brothers are industry heavyweights and with the aid of two ‘Saturday Night Live’ cast members, Andy and Kenan, who joined the coalition in September 2006, and Kristen Chenoweth, who joined in 2004 when she played a role in ‘The West Wing’, they put enslaving human experimentation into the diplomacy discourse in a most assertive way. They took the lab monkey metaphor (1, 2, 3, 4, 5, 6, 7) to a whole new level of presentation – producing a wide-release feature length film to condemn the institutionalization and militarization of enslaving human experimentation.
When this project was conceived there’d already been a year of diplomacy on the topic as documented in the first in the series How Condemnation for Chinada’s Militarized Human Experimentation Involving Hypnosis was Embedded in Coalition Diplomacy: The “Lab Monkey” Metaphor. Since then it’s been a regular item to keep the coalition’s revulsion at the threat that stealth cognition technologies pose to the peace, security and prosperity of the civilized world; because not only does it represent what humanity holds dear – free will and a state that stays out of the private lives of citizens – but also a Soviet-style imperialism. Having learned from the Soviet’s failure and unable to defeat the NATO Alliance with military means, the Chinada High Command sought to create a Pandora’s Box of technologies, strategies, techniques and tactics that exploited inherent vulnerabilities and weaknesses in democracy and capitalism – one of which is consciousness itself. Thus an unlimited budget was allocated to commence and perpetuate multi-decade R&D involving hypnosis, the one known technique that allows for the manipulation of the mind and body. The question for military researchers and technicians was how to create a clandestinely operating hardware infrastructure that could affect thought and action remotely. Being successful has shocked and horrified the international community because those in possession of this abomination were pubescent sociopaths who are now morphing into psychopaths and in the face of worldwide trepidation and anger (i) did not halt the Article 7 infringing regime – in fact continued to push the experimentation envelop – (ii) used it to effect daily and often hourly torture, (iii) inflicted pain and suffering on a United States Deputy Secretary of Defense and State, continued knowing insolvency-intending compensatory and punitive damages were accumulating and (v) persisted despite threats of covert regime change in Canada, employment termination, appointment revocation, black hole rendition, corporate interests forfeiture, personal asset seizure, assassination and capital punishment.
The movie begins with Ham III (Andy Samberg), grandson of the the first chimpanzee in space at being a canonball at his circus and later being criticized by his grandfather's friend Houston (Carlos Alazraqui). Meanwhile, an unmanned NASA space probe called the Infinity is dragged into an intergalactic wormhole, and crashlands on an Earth-like planet on the other side of the galaxy. Zartog (Jeff Daniels), an evil-minded inhabitant, accidentally discovers how to take manual control of the on-board machinery and uses it to enslave the population.
Faced with the loss of the probe and probable loss of their budget, the scientists have to find a way to regain contact with the probe, to help retrieve the wayward craft. Technical genius chimp Comet (Zack Shada) gets the scientists to pick them as astronauts to explore the planet and get the probe back, with the help of the fearless Lt. Luna (Cheryl Hines), and their bombastic commander, Titan (Patrick Warburton). The Senator (Stanley Tucci) likes the idea, but wants something extra special to grab the attention of the media, and picks Ham. Ham is uninterested in the mission, but he is launched into space despite his best efforts to escape the scientist's training facility.
Their ship is also deposited on the distant planet, where they meet one of the inhabitants, known to them as Kilowatt, and endeavour to save the peaceful inhabitants from the comically evil dictator Zartog.
Finally overcoming Zartog's power and restoring peace to the planet, they return to Earth and safely land the spacecraft after a malfunction. The scientist's budget is, of course, not only restored but enlarged.
Source: wikipedia.com
Ham (July 1956 – January 19, 1983), also known as Ham the Chimp and Ham the Astrochimp, was the first hominid launched into outer space. Ham's name is an acronym for the lab that prepared him for his historic mission — the Holloman Aerospace Medical Center.
Source: wikipedia.com
Usually the lexicon is employed in coalition product during the very first scene of the film. This time when the DVD was being created, producers inserted its constituents at the ‘Main Menu’ stage. It consists of four selections next to a standard telephone key pad which CGI monkeys press; to the public randomly, but to the East-West Corridor of Diplomacy audience one of the simians pushes #1 and then #4 – a compensation ratifier; and the second #2, 6 and 5. That’s a China identifier and a second compensation ratifier. A third chimp presses #5 and 7, creating a coalition identifying third compensation ratifier. Lexiconically significant colors are also added: #4 is green (quantum); #6 is purple (justice) and #5 is yellow; and #7 red (China).
The film opens with a floating through space image. As the announcer states “Since the dawn of time space flight has been a dream; the rocket made it a reality” appearing is a massive space cloud formation – the colors: quantum. Presidential quantum and China. Translation: the coalition arranged the Custodian Chief taking possession of historic damages.
As the theme to ‘2001: A Space Odyssey’ plays the opening scene recreates the landing of one of the monkeys the U.S. sent into space. It includes the re-entry, chute deployment for ocean landing, helicopter delivery to an aircraft carrier and removing the simian from the capsule. Producers then craft a Time magazine cover – one that contains lexiconic constituents of color – Chinada punishment certainty – and the number twenty which represents the Custodian Chief’s two decades being enslaved in the human experimentation program. The Time edition closest to the date on the manufactured cover, “February 10, 1961” is this one; the February 3 publication, which emphasizes the Cold War:
The producers’ magazine cover also includes the headline “Chimp of the Year” – seeking to recall the fact that the Custodian Chief was named Time’s 2006 Person of the Year.
A second magazine cover is created; this one of German origin. It includes the by-line “Der Weltraumaffe” (the space ape) to draw attention to the “Nazi” dimension of fiefdom-totalitarian commu-nazi genocidal racism.
* Other coalition high profiles of this dimension include the Geo Award nominated Triple “E” initiatives in Tom Cruise’s ‘Valkyrie’: If You Want to Act Like a Nazi Then You’re Going to be Treated and Punished Like a Nazi and Taylor Swift: High Profiles the ‘Nazi’ Constituent of Fiefdom-Totalitarian Commu-Nazi Genocidal Racism
The script then introduces the protagonist – Ham III, a chimpanzee who works in a circus. Being designated as the third descendent of his grandfather, America’s famous space ape in the early 1960s, makes him a coalition representative throughout the entire movie and maintains the link between the partnership and their Canadian representative’s two decade persona. Ham’s a daredevil who takes after his iconic predecessor. He gets shot out of a canon and entertains fantasies about going into space like his granddad. 
The next scene introduces the space agencies problem. An unmanned probe gets sucked into a wormhole that comprises a break in the space-time continuum. At the other end of it is a planet of English-speaking aliens. An adult bully is being criticized by a bunch of kids when the probe lands on his house and demolishes it. He takes command of a sophisticated robot that’s housed in the space module and with the machine terrorizes the planet’s inhabitants and establishes what amounts to a totalitarian empire. The Chinada global hegemony theme runs throughout the rest of the film.
The audience is then taken to mission control in Houston. Command center technicians are wardrobed in the colors of condemnation, Presidential quantum, China and the pattern representing prison certainty. When a Senator shows up demanding an explanation for the loss one of the techies states “it was sucked into a wormhole” and executes a Colbert Maneuver to describe what’s in the process of happening to the malfeasant for defying the coalition.
The logo designed for the space agency consists of the image of a rocket with five rockets blasting off. There are three planets and two stars; total number of celestial bodies: five.
The Senator is critical of the fact the spacecraft has gone missing; stating “my constituents care about potholes, not wormholes; you know how many potholes we can fix for five billion dollars?” – drawing attention to how the Custodian Chief’s damages can contribute to achieving stated objectives.
The decision is made to launch a rescue mission, but since wormholes might kill astronauts, chimps are sent instead. The circus ape is recruited and placed in the same quarters as three space chimps: an authoritative male (Titan), a scientific minded female (Luna) and a young electrical engineer upstart (Comet).
When Ham realizes he’s going into space he reveals his lack of interest in the mission. Luna seeks to convince him otherwise; and as he pounds five times on the entrance to be returned to his circus, she delivers the line “You’ve been selected for a mission of historical significance”; which is what the world’s movers and shakers offered him in the spring of 2003 when they made first contact. He’s recognized it ever since and has worked ceaselessly and without fear since then.
Back on the alien planet Zartog is effecting his brutal rule. He assembles some citizens and asks them to confess dissent.
The lexicon is inserted to high profile the fact that the Custodian Chief and the rest of the coalition partnership is:
Zartog: [NBC M.] Are there any among you who opposed my rule.
Alien: [Sarkozy M.] Ah, wait: so you’re saying you’re in charge because that thing landed on your hut?
Zartog: Yes, and if you don’t obey me I will dunk you in the Fresno.
Alien: You wouldn’t do that because I’d be frozen forever.
Zartog: Exactly!
The outspoken citizen is grabbed by one of the robot arms and dunked in what amounts to liquid nitrogen. As he is a member of the audience executes a Staul Maneuver – which seeks to draw attention to how those in totalitarian regimes who challenged the status quo are frozen out of a normal life in perpetuity. In the Soviet Union it was the Gulag.
When the dissenter is lifted out of the pit he’s white, the robot arm grips are red and black – creating the Canadian punishment certainty color pattern. That is a clever way of describing what happens to those who sabotage reform, accountability and demilitarization. They get the same kind of societal marginalization as occurred in the former communist state. Instead of the Gulag the malfeasant get rendition into a black hole from whence they never return.
Containing and neutralizing the Chinada threat is symbolically represented in the story-line about how the alien planet is going to be destroyed with its three suns align; setting off a species extinction causing volcano eruption. Zartog thinks he has a plan to avoid this catastrophic event. He is building a huge entertainment complex designed after what he saw in the robot’s databank – the image of a Las Vegas hotel.
Zartog: It’s going to be magnificent.
Alien: It’s a shame the volcano will destroy it when the three suns line up on triple Sunday.
This is cleverly representative of the hedonistic life the Chinada High Command thought it could build once it established global hegemony – replicating what Canada’s political and corporate leaders did in their country; namely, establish a lifestyle of Caligula proportions: Flipping the Utilitarian Principle in Canada on its Head: From Institutionalized Caligula-Drug Baron Lifestyles to Prison and Poverty. But the way the solar system is fashioned, Zartog is seeking to achieve something that nature will prevent. The geo-parallel is that the High Command will be unable to achieve its nefarious objective because inherent in human nature is the yearning to be free of state domination and subjugation and that will prevail as a result of coalition efforts. The Soviets sought that and failed; Chinada principals will fall to the same fate.
In the spaceship taking the simian astronauts to the wormhole the lexicon is also embedded. Ham’s personality doesn’t lend itself well to the disciplines of extra-terrestrial travel. He goofs off, including pulling out a deck of cards and letting them float around the cabin. One of the cards is scripted to be the Canada colored three of hearts – an instance of the isolation-deprivation (romance) theme.
That’s immediately followed by Titan revealing his poet composition skills. He presses three buttons in sequence: “…press three six five, if you want to stay alive” and then executes a Bush Maneuver. In addition to the double coalition identifier and the double compensation ratifier (3+6+5=14) as red flags the chosen geo-gesture turns the poem into an instance of coercive diplomacy; threatening lethal force and the death penalty for the Chinada High Command refusing to stand down its military posture, abandoning stealth cognition technology R&D and verifiably accounting for those assets and surrendering Canada to coalition control.
Ham interjects at the conclusion of the poem’s delivery: “Permission to speak – you’re a dork”; which is a humorous way to describe those who thought they were invincible, insulated and immune from what the coalition could inflict by way of wounding pain, financial loss and procuring premature longevity.
The coalition through Taylor Swift's Geo Award nominated May 28, 2009 efforts replicated this standard description of monkeys:
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See No Evil
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Hear No Evil |
Speak No Evil |
When Ham gets out of control Titan physically restrains him. When the latter has the former in his grasp he quote the rules: “Regulation 815” – a China identifier, and double compensation ratifier (five & 8+5+1=14). Translated: for not behaving according to the rules and norms of domestic and international law and society, huge damages will be assessed and extracted from the malfeasant. The audience sees how punishment is meted out in the spaceship. Ham is banished to the exterior of the craft and tethered to a long rope which pulls him along.
When the ship enters the wormhole mission control technicians observe it and one advises the Senator: “We’ll reacquire signal in 12 minutes 20 seconds”.
Entering the wormhole knocked Titan and Luna unconscious, leaving Ham in charge of landing the craft on the alien planet. He’s observed pushing buttons randomly in a panic. One of the keypads is observed close-up and in the foreground are the two numbers five and eight. The color scheme is Canada. Ham manages to release the parachute and spacecraft-enveloping bouncing ball bubble that serves to cushion landing; and he exclaims “I did it, I did it – I’m the smartest chimp in the universe”. The color scheme of the bubble and the planet surface is Chinada; the color of the stratosphere is the lexiconic constituent of justice. Translation: The Custodian Chief has proven his intellectual acumen in addressing the threat the China-Canada military alliance poses. Diplomacy in that regard is compiled in Six Times the Coalition Offers the Canadian Lawyer the Position of Custodian-in-Council's First Chief Executive.
Back on Earth the Senator is livid at the loss of the spaceship. He threatens to cut funding to the agency; and as he concludes his rebuke he executes a Letterman Maneuver to “Remember, no bucks, no Buck Rogers”. The two mission control techies attired in Chinada prison certainty dominate the screen as the politician exits stage right. The American pop phenomenon referred to involves high adventure and is a geo-reference to what the Custodian Chief can expect after being emancipated from his two decade hell and in possession of his damages.
While Ham and Luna are exploring the landscape, the aliens find their spacecraft and deliver it to their leader. Titan awakens, exits the ship and confronts his captors, not realizing at first the predicament he’s in. His first instinct is to see them as specimens for scientific and medical study back home. He begins to label them by attaching the equivalent of yellow stickies to their foreheads for identification purposes. Third in line is Zartog, who objects stating “I’m Lord Zartog, rule of the planet” – which is a clever way of articulating how the democracies of the world are going to prevail in the battle with imperialistic totalitarianism.
Titan continues the labelling process, which ends when he attaches sticky number five to an alien who is rendered in the color of quantum.
Ham and Luna run into a tiny creature with a big head which glows when scared. A close-up of the character reveals producers have placed a total of twenty freckles on her face; which links the development of stealth cognition technologies with coalition trepidation and having huge collective brain power to put to containing and neutralizing The Soviet Union The Sequel.
The link between the coalition and its intention to arrange the Custodian Chief’s damages is made when the astronaut’s new friend and they bed down for the night and then wake up. Luna looks at her watch and is amazed to discover they’ve been “asleep for five seconds”. The alien explains that by stating “Just one of the benefits of living on a planet with three suns”.
As they’re walking the alien describes how Zartog’s domination of the planet led to her race being almost destroyed and survivors enslaved. At the word “destroyed” there’s another close-up of her twenty freckles – another indication of what the coalition is working towards.
At one point Luna looks at her watch and exclaims “we’ve only got 12 hours before the ship takes off” – another instance of keeping the lexicon in the fore of the minds of the geo-audience and again reminding those in the diplomatic corridor who’s going to be victorious again.
How much coalition partners want to win this second battle with totalitarian imperialism is expressed in a scene involving Zartog and Titan. The latter is in the process of throwing a huge bash and states “I want this party to be remembered forever, beyond anything [the planet] has ever seen”. It’s red flagged with a Clooney Maneuver to draw attention to the intent of achieving such a resounding victory over the enemies of democracy that any future attempts will be disincentivized by what is observed in the history books.
Ham and Luna work their way through a series of encounters with the planet’s various phenomenon, including a cloud that the alien says nobody emerges from without personality changes. As the two are talking about their personal lives, Ham is choreographed to execute a JLo Maneuver – touching his knee pad which is designed with a coalition identifying three sown together patches. This red flags relevance to the Custodian Chief and his international partners’ determination to emancipate him from the life he’s been leading for decades: “I’m just a low-rent circus chimp”. Luna asks him how that makes him feel; to which he responds “like a stupid pet trick; it’s all I am – a joke”.
As Ham and Luna look over a ledge to see Zartog’s assemblage getting ready to party, the world leader remarks “Now it is my thrill to present the main attraction – the monkey who showed me the way”. A clip of the audience includes an alien executing an Erin Maneuver; which is the producers’ way of describing how the Custodian Chief in his capacity of Fiefdom treatise researcher provided direction like a famous British Prime Minister (The Coalition Considers the Fiefdom Treatise Author a 21st Century Churchill) and offering his informed views on how to deal with the problems posed by Canada and China.
The lexicon is again added during the scene in which the astronauts are in the spaceship and are getting ready to blast off for home. As they prepare for launch they discover the craft’s switches, buttons and dials are all fake and thus aren’t going anywhere. Titan begins crying:
Titan: Why wasn’t I born a rabbit, a squirrel or an art history major? Nobody expects great things from them.
Computer: Three minutes to lift-off.
Ham: Well, at least we’re safe and going home.
Titan: 16 hundred crunches a day, 5 hundred push-ups…
Translation: the entire coalition partnership has always expected “great things” from their Canadian representative, believing originally that his degrees in political philosophy and law and having survived decades of mind-manipulation hypnosis experimentation and then after demonstrating his skills and knowledge during the prosecution of the lawsuit, conducting the research project, engaging in the dissemination initiative and when triggering all the accountability mechanisms. As time progressed he proved himself to them and such to the point he would be elevated to supra-celebrity status and eventually given the top political job in Canada.
Their last moments on the planet lead them to overpowering Zartog and being celebrated as liberators. As the freckled alien offers praises and thanks producers edit-in a clip of the three simian astronauts timed to “You have liberated us from the bonds of slavery; we are eternally grateful; we owe you our lives”.
That leads the three to paraphrase the ancient Greek chant “we came, we saw, we conquered” into Ham, Luna and then Titan exclaiming “We came; we crashed; we kicked [Zartog’s] butt”. To Titans contribution Ham is astonished, responding with What?!!”. Titan replies that he’s “99% sure that’s how [the saying] goes”. Him executing an Olmert-Spielberg Maneuver to his retort and an immediate close-up of the twenty freckles are the producers’ way of articulating the coalition’s confidence in defeating imperialistic totalitarianism and especially stealth cognition technologies – one of the primary offensive weapons in Chinada’s arsenal.
The solution to making it home resides in the robot that at the start of the movie was lost and when landing on the alien planet became Zartog’s way of establishing planetary hegemony.
After blastoff and as they’re entering the wormhole Luna and Titan again begin to lose consciousness. As she does she tells Ham she believes in him. Producers add the reflective color of justice to all three of their spacesuit’s helmet to articulate how much the coalition believes in what the Custodian Chief stands for in terms of delivering accountability to those who so blatantly violated his rights and both domestic and international law.
While traveling through the center of the wormhole producers dispense with all colors but those of Chinada punishment certainty – red, yellow, white and black. As these colors are flying by in the same way as is seen in ‘2001: A Space Odyssey’ Ham hears the voice of his grandfather: “Believe in yourself […] you can do things […] just do them your way”.
The combination of those lexiconic constituents and upon exiting the wormhole there’s a space agency screen with a chart of the “speed of rotation” of the Earth indicating “3436 km/hr” (all digits add up to 16 - a compensation ratifier) is producers way of underscoring how much trust and faith the coalition has in the Custodian Chief’s abilities to steer the resources placed in his control into the right initiatives and projects.
Approaching Earth Ham begins to take instructions from mission control. He’s told the re-entry must be precise. He must alter the angle in which he pierces the atmosphere by “33 degrees”; failing which Ham will be “space dust”.
As the spacecraft is approaching the Senator is holding a press conference. Producers insert a gallery member executing a Staul Maneuver to the second half of “While we close the chapter on space travel, we open an amazing new chapter…” – their way of assuring the entire coalition membership and Custodian Chief that the end of the treatise documenting the rise and defeat of Chinada will be followed by making new history – one devoid of what it represents.
When the spacecraft comes to a halt and Ham is reunited with his family an Erin Maneuver is used to red flag his remark about advancing the parameters of his capabilities – having gone from circus cannon ball to astronaut with “What can I say I’m an envelop pusher”. This high profiles Chinada’s continuing R&D into the militarization of hypnosis to create an even more powerful stealth cognition technology capability; and doing so when an ever-larger collection of international public and private sector parties condemned it’s genesis and more so pursuing the illegal enterprise after being discovered. The following treatise chapter titles are indicative of this obstinate attitude:
· For the Diplomatic Evidence Record: Proving Yet Again How Much the Article 7 Hypnosis Envelop Was Pushed to Assault and Torture Victims With Their Own Bodies (November 2006)
· China-Canada Military Alliance Exercising Bragging Rights for its Article 7 Advances and Pushing the Experimental Envelop Again (December 2006)
· Dick Wolf’s ‘Law & Order’: Begins with A Justice-Attired Hanging, Ends with an ‘Elevator Incident’ Reference and Includes a 'Pushing the Envelope' Remark (February 2007)
· Confirmation on America’s Independence Day the China-Canada Military Alliance Has Pushed the Article 7-Violating Human Experimentation Envelop Again (March 2007)
· How Canada’s Three Sub-Factions Reacted to the America Music Awards Being Geo-Politicized: Pushing the Article 7 Violating Human Experimentation Envelope Again (November 2007)
· Canada’s Three Sub-Factions Push the Article 7 Violating Human Experimentation Envelope Reacting to the Chrétien Interview and Seeking to Generate Schadenfreude and a Propaganda Victory (November 2007)
· David Letterman et al.: Coercive Diplomacy Linking Death Penalty Pushing Stealth Cognition Technology Envelope Twenty Years of Enslaved Experimentation High Profiling Elevator WMDs (January 2008)
· Pushing the Article 7 Violating Human Experimentation Envelope One More Despicable Time (April 2008)
· Sociopathological Governance Pushing the Militarized Human Experimentation and Torture Envelop Further and Further Still in the Last Democratic Fiefdom (April & May 2008)
· Pushing the Hypno-Torture Envelop Again: Jaw Muscle Manipulation at the Margins of Sleep That Adds to Strategies Keeping Victims on Edge (August 2009)
· Turning Stealth Cognition Technologies into an Assassination Weapon (August 2009)
The DVD Bonus Features were also geo-politicized. The segment introducing the star-studded cast begins with SNL cast member Andy Samberg, the voice of Ham. He dressed for his interview in a Canadian colored T-shirt on which there’s a logo that includes the date 1979 – a triple China identifier.
His first words are “I’m pretty much interested in any project that involves chimps”; referring to his joining the production because of its geo-political contribution.
Producer John Williams appeared in his interview attired in Chinada prison certainty and with a prison certainty background. So did director Kirck Demicco on both counts. Casting director Matthew Jon Beck chose the color of justice and his background too is prison certainty plus quantum.
A photograph of a genuine cover of a 1960s Life Magazine is added – chosen because it has in the bottom left corner the price: twenty cents. This was producers’ way of high profiling the Custodian Chief’s two decades as an enslaved human experimentation victim.
In another section of Andy’s interview he executes a leg-itching JLo Maneuver to “the thing I like the most about the script was probably the space part and the chimps part”. Translation: he enjoyed contributing to a coalition initiative that high profiled the Custodian Chief’s twenty years being enslaved in a human experimentation program involving hypnosis out of which emerged the institutionalization of Svengali-like torture.
